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パブリケーション
クリストファー・カルテンバッハは日本のデザインにおける空間・時間の固有性をテーマとして、デザイン批評を執筆しています。主な掲載媒体はオランダの建築雑誌MARK、オーストラリアのデザイン雑誌ARなどです。
Stories from the Camera:
Reflections on the Photograph
Edited by Michele M. Penhall
Published by
University of New Mexico Press
"Echo Mirror"
essay on the photograph (海景) "#301, Caribbean Sea, Jamaica, 1980"
by 杉本博司
INSECTUM:
speculative design interventions
interdisciplinary design at
ノバスコシア芸術デザイン大学
by クリストファー・カルテンバッハ
with クリストファー・マイカ
Afterword by ルディ・マイヤー
Published by ノバスコシア芸術デザイン大学
AR (Architectural Review Asia Pacific ) #135. 2014年. p 52
“The inherent state of the kigumi lattice”
建築家: 隈研吾建築都市設計事務所
サニーヒルズジャパン, 表参道
東京、日本
AR (Architecture Review Asia Pacific) #130. 2013年. pp 76–83
"A Retreat from Tokyo: mastering the French ruse au Japon"
建築家: みかんぐみ
神宮前の家
東京、日本
MARK #43. 2013. pp 44-45
"Natural Sticks II"
architect: Masaki Endoh, EDH Endoh Design House
private house in Nakameguro
Tokyo, Japan
AR (Architecture Review Asia Pacific). #126. 2012年. pp 88–93
"On the Grid"
建築家: 塚本由晴 (アトリエ・ワン) design lab
Environmental Energy Innovation Building
東京工業大学
東京、日本
MARK #39. 2012. pp 34–35
"OMOHARA Forest"
architect: Hiroshi Nakamura
Tokyu Plaza in Omotesando/Harajuku
Tokyo, Japan
AR (Architecture Review Asia Pacific) #128. 2012年. pp 72–77
"Regerminating the City"
建築家: 隈研吾建築都市設計事務所
浅草文化観光センター
東京、日本
MARK #34. 2011. pp 174–183
"NEST / 巣 : an Ideogram for the Inhabitation of a House"
architect: UID architects / Keisuke Maeda
Nest (private house)
Onomichi, Hiroshima, Japan
MARK #27. 2010. pp 150–159
"An Open Framework
for a New Communal Spirit"
architects: ON Design / Osamu Nishida & Erika Nakagawa
Yokohama Apartments
Yokohama, Japan
(inside) Australian Design Review #60. 2010年. pp 86–91
"A New Formula for the Accommodation
of Codes: The 9h Capsule Hotel"
designers: Design Studio S /
Fumie Shibata
(collaboration with Masaaki Hiromura &
Takaaki Nakamura)
京都、日本
MARK #26. 2010. pp 72–83
"Where Stringless Marionettes Rest"
architect: UID architects / Keisuke Maeda
Bisque Doll (private house)
Osaka, Japan
(inside) Australian Design Review #61. 2010.
"The Nature of Geometry: An Exercise in Reverse Engineering a Methodology"
exhibition review: "Element"
by Cecil Balmond
Tokyo Opera City Art Gallery
Tokyo, Japan
MARK #22. 2009. pp 44–45
"Shaping the Raw Material of Faith"
architect: Taira Nishizawa
Church Sun-Pu
Shizuoka, Shizuoka, Japan
(inside) Australian Design Review #57. 2009. pp 72–75
"The Modality of a Crystalline Intelligence"
designer: Tokujin Yoshioka
SWAROVSKI flagship store
Ginza, Tokyo, Japan
AR (Architectural Review Australia) #109. 2009年. pp 22–24
"The Shape of Things to...be put on Hold:
preparing a Trend for Recession"
exhibition review:
New Trends of Architecture
in Europe and Asia-Pacific, 2008年–2010年
東京、日本
(inside) Australian Design Review #53. 2008. pp 24–26
"Fetishizing Hope for a Hydro-Centric Life"
exhibition review: Water
21_21 Design Sight
Roppongi, Tokyo, Japan
AR (Architectural Review Australia) #104. 2008年. pp 32–36
"Taken for a Ride on BP's Greencurve"
architects: Office dA
Helios House
Los Angeles, California, U.S.A.
AR (Architectural Review Australia) #105. 2008年. pp 34–37
"Reading into the New "Real""
建築家: 伊東豊雄建築設計事務所
多摩美術大学図書館
八王子キャンパス, 東京、日本
AR (Architectural Review Australia) #103. 2007年. pp 32–36
"Waiting for the Revolution to Surface"
architects: Diller, Scofidio + Renfro
The Institute of Contemporary Art (ICA)
Boston, Massachusetts, U.S.A.
"Looping Décosterd and Rahm's Feedback Interiority"
Décosterd and Rahm Distortions:
FRAC CENTRE , éditions HYX. 2005.
(inside) Interior Review Magazine #36. 2005.
"The Currency of Tradition"
architect: Masamichi Katayama / Wonderwall
Restaurant Tanga
Tokyo, Japan
AR (Architectural Review Australia) #092. 2005. pp 28–30
"Expo O5 Aichi: Pass the hundreds and thousands coated tofu"
architects: Mikan, FOA, Kikutake Kiyonori
World Expo 2005
Aichi, Japan
(inside) Interior Review Magazine #39. 2005.
"Keitai City"
architecture competition review:
Keitai City
sponsored by NTT DoCoMo
Tokyo, Japan
(inside) Interior Review Magazine #31. 2004. pp 136–139
"Naoto Fukasawa:
Looking for the Imperceptible"
product designer review
Tokyo, Japan
(inside) Interior Review Magazine #33. 2004. pp 68–69
"Ross Lovegrove: Where does love grow when the user is absent?"
product designer review
London, England
(inside) Interior Review Magazine #30. 2004. pp 118–125
"Louis Vuitton, Roppongi Hills"
architect: Jun Aoki
Louis Vuitton boutique, Roppongi Hills
Roppongi, Tokyo, Japan
(inside) Interior Review Magazine #33. 2004. p 34
"Katamari Damacy"
video game review: 塊魂 /
Katamari Damashii
NAMCO
Tokyo, Japan
(inside) Australian Design Review #26. 2003. pp 42–44
"Soft"
architects: If this, then...
stage design and
theatre performance review /
Back to Back theatre
Melbourne, Australia
(inside) Interior Review Magazine #29. 2003. pp 154–156
"Marukan:
The Japan Industrial Design Association exhibition on Eco Design"
exhibition review: Marukan
OZONE
Shinjuku, Tokyo, Japan
(inside) Interior Review Magazine #29. 2003. p 62
'Moth Design'
product design collaborative review
Melbourne, Australia
(inside) Australian Design Review #24. 2002. pp 78–83
"Globe HQ"
architect: Daniel Seyd / Insite
Globe Corporate Headquarters
Melbourne, Australia